Layout-driven · 2010s–present
Split Screen
The viewport divided into two equal halves — one side typically visual, one textual — each telling its own part of the story.
Live preview base style — press Wear
$2,100
Revenue, up 12% from last month.
| Customer | Plan | Status | MRR |
|---|---|---|---|
| Northwind | Studio | Active | $1,240 |
| Acme Labs | Team | Trial | $0 |
| Kaldi Coffee | Studio | Active | $860 |
Use this style 16 tokens
- --bg
oklch(98% 0.007 80) - --fg
oklch(10% 0 0) - --muted
oklch(50% 0 0) - --surface
oklch(100% 0 0) - --surface-2
oklch(95% 0.005 80) - --border
oklch(87% 0 0) - --accent
oklch(56% 0.23 27) - --accent-fg
oklch(99% 0 0) - --focus
oklch(56% 0.23 27)
| Token | Value |
|---|---|
| --font-body | 'Syne', system-ui, sans-serif |
| --font-display | 'Syne', system-ui, sans-serif |
| --font-mono | ui-monospace, monospace |
| --radius | 0px |
| --radius-sm | 0px |
| --shadow | 0 1px 4px oklch(0% 0 0 / 0.08) |
| --shadow-lg | 0 8px 32px oklch(0% 0 0 / 0.18) |
@import url('https://fonts.googleapis.com/css2?family=Syne:wght@400;600;700;800&display=swap');
:root {
--bg: oklch(98% 0.007 80);
--fg: oklch(10% 0 0);
--muted: oklch(50% 0 0);
--surface: oklch(100% 0 0);
--surface-2: oklch(95% 0.005 80);
--border: oklch(87% 0 0);
--accent: oklch(56% 0.23 27);
--accent-fg: oklch(99% 0 0);
--focus: oklch(56% 0.23 27);
--font-body: 'Syne', system-ui, sans-serif;
--font-display: 'Syne', system-ui, sans-serif;
--font-mono: ui-monospace, monospace;
--radius: 0px;
--radius-sm: 0px;
--shadow: 0 1px 4px oklch(0% 0 0 / 0.08);
--shadow-lg: 0 8px 32px oklch(0% 0 0 / 0.18);
}Where it came from
Origin: Print editorial design; dual-narrative film techniques adapted to the web
Split-screen has roots in both film (parallel narratives) and editorial print spreads, and became common on the web once full-bleed images were trivial in CSS. They work especially well for A/B choices, login/signup panels, comparison pages, and hero sections with a strong visual on one side and copy on the other. The responsive challenge: at mobile widths, both panels must stack legibly, and neither should feel like the afterthought.
How to spot it
- Viewport split at or near 50/50 with a hard or soft dividing edge
- One side image or colour-heavy, one side text-heavy — visual tension across the line
- Either both panels scroll together or one is fixed while the other scrolls
- Divider line may be a colour change, a gap, or an overlapping element
Trade-offs
| Strengths | Weaknesses |
|---|---|
| Creates immediate visual contrast and a strong first impression | Challenging to make both halves equally interesting at mobile widths |
| Good for binary choices, before/after comparisons, or login/signup | Feels forced if content does not naturally split into two equal parts |
| Memorable and structured — users remember it | Navigation and header integration require care — where does the header live? |
In the wild
- Dual login / create-account panels
- Agency portfolio hero sections
- A/B comparison product pages
Use it when
Login/signup, comparison, or binary-choice interfaces where two distinct options need equal visual weight from the first pixel.