Layout-driven · 2016–present
Broken Grid
Elements that deliberately break out of their expected column positions — overlapping, offset, or rotated to create energy and rhythm.
Live preview base style — press Wear
$2,100
Revenue, up 12% from last month.
| Customer | Plan | Status | MRR |
|---|---|---|---|
| Northwind | Studio | Active | $1,240 |
| Acme Labs | Team | Trial | $0 |
| Kaldi Coffee | Studio | Active | $860 |
Use this style 16 tokens
- --bg
oklch(97% 0.006 80) - --fg
oklch(10% 0 0) - --muted
oklch(48% 0 0) - --surface
oklch(100% 0 0) - --surface-2
oklch(95% 0.005 80) - --border
oklch(82% 0 0) - --accent
oklch(89% 0.22 98) - --accent-fg
oklch(10% 0 0) - --focus
oklch(72% 0.22 98)
| Token | Value |
|---|---|
| --font-body | 'Space Grotesk', system-ui, sans-serif |
| --font-display | 'Space Grotesk', system-ui, sans-serif |
| --font-mono | ui-monospace, monospace |
| --radius | 4px |
| --radius-sm | 3px |
| --shadow | 3px 4px 0 oklch(10% 0 0) |
| --shadow-lg | 6px 8px 0 oklch(10% 0 0) |
@import url('https://fonts.googleapis.com/css2?family=Space+Grotesk:wght@400;500;600;700&display=swap');
:root {
--bg: oklch(97% 0.006 80);
--fg: oklch(10% 0 0);
--muted: oklch(48% 0 0);
--surface: oklch(100% 0 0);
--surface-2: oklch(95% 0.005 80);
--border: oklch(82% 0 0);
--accent: oklch(89% 0.22 98);
--accent-fg: oklch(10% 0 0);
--focus: oklch(72% 0.22 98);
--font-body: 'Space Grotesk', system-ui, sans-serif;
--font-display: 'Space Grotesk', system-ui, sans-serif;
--font-mono: ui-monospace, monospace;
--radius: 4px;
--radius-sm: 3px;
--shadow: 3px 4px 0 oklch(10% 0 0);
--shadow-lg: 6px 8px 0 oklch(10% 0 0);
}Where it came from
Origin: Swiss print typography tradition; editorial experimentation on the web
Deliberate off-grid placement has a long history in Swiss typography and editorial design. On the web, CSS Grid's explicit placement control made it practical to position elements precisely, overlap them, and rotate them without hacks. Creative agencies and editorial sites adopted it to escape the "Bootstrap look" — identical left-aligned columns — and signal that the design itself is a craft object.
How to spot it
- Elements that cross column boundaries or overlap adjacent items
- Deliberate small rotations on cards or images (1–5 degrees)
- Asymmetric layouts that refuse consistent outer margins
- Negative space used intentionally — the gap is as designed as the content
Trade-offs
| Strengths | Weaknesses |
|---|---|
| High visual energy and sense of dynamic movement | Very hard to maintain as content volume scales or changes |
| Feels crafted and intentional — resists the generic template look | Tab order and screen-reader order must be checked carefully |
| Each layout is distinct; nothing repeats in the same way twice | Requires significant responsive redesign at mobile widths |
In the wild
- Creative agency portfolio index pages
- Editorial art direction on long-form features
- Art and fashion brand websites
Use it when
Agency portfolios, artist sites, or editorial layouts where the design itself is a signal of creative capability.